Lots to come about Cambodia, but I wanted to finish some thoughts about Myanmar first.
During a blackout a few nights ago in Siam Reap, I got into a conversation in a restaurant with a French-Canadian guy (who travels the world as a teacher with Cirque du Soleil!) I told him I had been traveling in Southeast Asia for the last four months. He asked if I had been to Myanmar. When I said yes, he said instantly that he loved it, that it was one of his two favorite countries, Brazil being the other, and asked what I’d thought of it.
I couldn’t, and still can’t, come up with a short answer. I loved it, yes, but I felt a lot of other things too: pity, despair, anger. My conversation in the restaurant was not the first time I’d heard or read someone say that Myanmar was one of his favorite places, and it’s not impossible to see why. Some of it is as beautiful as anywhere I’ve ever been, the people are awesome, and it is simply so different. Refreshing, as long as you don’t think of the brutality and suffering that make it that way.
I don’t know, I think to some extent you find what you’re looking for when you’re traveling, and I know I was partly drawn to Myanmar because it was a “bad” place. I wasn’t disappointed on that front, but then the whole experience turned out to be so much more than that: wonderful, eye-opening, heartbreaking, perspective-changing.
Anyway, notes from the last week or so I spent in Myanmar:
Monywa
After Hsipaw, I went back to Mandalay and then northwest to Monywa, a trading center on the Chindwin River. Not many tourists go there, which is exactly why I wanted to; it turned out, as these places generally do, to be a fun and unpredictable excursion. Highlights included seeing the movie I wrote about below; hanging out with a Catholic priest and some young seminarians; and drinking toasts with a group of drunken men in a Chinese restaurant.
A great site I visited near Monywa was Thanaboddhay Paya, one of my favorite temples so far. It didn’t look like anything I’d seen before: the outside is all Easter egg yellows, pinks, and blues; the inside has over half a million Buddha figures; and the top is a stupa surrounded by small spires that the guidebooks compare to Borobudur in Indonesia. Being among all the Buddhas was like standing between two mirrors reflecting each other into infinity. I remember thinking: if Michel Gondry designed a Buddhist temple it would look like this.
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